Speaker: Darryl Wharton-Rigby, Temple University Japan

Overview:
This presentation explores the principles and practices of guerrilla filmmaking—a low-budget, independent approach to cinematic storytelling that operates outside the traditional studio system.

Guerrilla filmmaking emphasizes improvisation, resourcefulness, and the mantra “seek forgiveness, not permission.” It relies on available resources, handheld cameras, and the ability to adapt in unpredictable environments.

Through firsthand case studies—STAY, a feature film shot in Tokyo, and a proof of concept for the upcoming film Polaris—this talk examines strategies for filming in uncontrolled public spaces, including trains, streets, and iconic urban locations like Tokyo Dome City.

While embracing the spontaneity and creative freedom of guerrilla methods, the presentation also considers how filmmakers can work ethically and responsibly within the legal frameworks of the locations they use.

The discussion highlights the balance between preparation and improvisation, offering insights into how to maintain artistic vision while managing the logistical challenges of guerrilla production.

Moderator: Kyle Cleveland, ICAS Co-director and Associate Professor of Sociology, Temple University Japan

  Institute of Contemporary Asian Studies, Temple University, Japan Campus  https://www.tuj.ac.jp/icas | icas@tuj.temple.edu